In “Good Girl, Bad Blood,” Holly Jackson seamlessly continues the captivating narrative of her debut, immediately addressing the lasting emotional impact of the previous case. Rather than glossing over the consequences of the first novel, Jackson seamlessly weaves them into the story, creating a palpable sense of realism and depth that resonates with readers. The protagonist, Pip, grapples with the enduring mental scars left by the intense events, allowing for a nuanced exploration of the aftermath.
A commendable aspect is the portrayal of friendships and relationships. Despite Pip being directly responsible for her father’s arrest, her bond with friend Cara remains unbroken. The evolving chemistry between Pip and Ravi Singh injects a refreshing dynamic into the narrative, providing readers with a portrayal of a healthy and supportive relationship in a genre often tainted by toxic portrayals. I’m extremely happy about that fact that the romance between Pip and Ravi was a subplot rather than overtaking the mystery aspect of the book entirely. Although I definitely craved for more scenes with Ravi’s quick wit and charm, I didnt feel like their relationship was being overly pushed, this definitely created a sense or realism to the book.
The novel maintains its engaging third-person perspective, narrated through Pip’s lens. Jackson’s skillful use of mixed media, including podcasts and evidence photos, adds a dynamic layer to the storytelling. Unlike its predecessor, the integration of mixed media feels more plausible, offering a creative avenue for Pip’s investigative endeavors. We see new types of media in this book, such as : photos of evidence and the murder board (iykyk 😉
The novel adeptly employs foreshadowing, adding a layer of complexity for readers who enjoy unraveling clues. The gradual intensification of mystery and intrigue, coupled with a race against time, maintains a brisk pace and heightens the stakes. AND MY GOD. Holly Jackson should truly pay for my therapy, the amount of heartattacks I got reading this book and the twists, I have no words.
Returning to the small town of Fairview, the novel revisits familiar faces and locations from the first installment. The integration of small-town life enriches the narrative, and recurring characters, some implicated in the Bell case, deepen the story.
The atmospheric tone remains consistent with the first novel – not eerie, but occasionally unsettling. For readers seeking a more subdued sense of tension, “Good Girl, Bad Blood” strikes an optimal balance.
“Good Girl, Bad Blood” elevates the strengths of its predecessor, presenting a more refined execution of ideas. This series appeals to those who appreciate a fusion of mystery, relationships, and teenage detective intrigue. Nevertheless, for those captivated by the sequel’s plot, it stands alone admirably, serving as an accessible entry point for new readers. This book not only solidifies the series as a captivating mystery but also as a platform for delving into pertinent and contemporary themes.